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<title>Browse Lost Remote December 2012 archives - Lost Remote</title>
<link>http://lostremote.com</link>
<description>The Home of Social TV</description>
<copyright>Copyright 2013</copyright>
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<title>From mobile to taking on newspaper paywalls, 3 big moves for local TV in 2013</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2012/12/localtvcamera.jpg"><img src="http://lostremote.com/files/2012/12/localtvcamera.jpg" alt="" title="localtvcamera" width="250" height="156" class="alignright size-full wp-image-35806" /></a>Local television remains a good business, but most station execs agree that tough, uncertain times lie ahead.  As we enter 2013, it&#8217;s the ideal opportunity for TV station groups to make bold moves to invest in future growth &#8212; or just protect the current bottom line.   Here&#8217;s my crack at the top three: </p>
<p> <a href="http://lostremote.com/3-big-moves-for-local-tv-in-2013_b35775#more-35775" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Cory Bergman</dc:creator>
<comments>http://lostremote.com/3-big-moves-for-local-tv-in-2013_b35775#disqus_thread</comments>
<link>http://lostremote.com/3-big-moves-for-local-tv-in-2013_b35775</link>
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		<category><![CDATA[TV News]]></category>
		<category><![CDATA[Uncategorized]]></category>
<pubDate>Mon, 31 Dec 2012 13:52:50 +0000</pubDate>
  
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<title>Connect to all your TV viewing apps from one place, meet Plizy</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2012/12/95a085e454b38b4cdda40d823526aaaf.png"><img class="alignright  wp-image-35770" title="95a085e454b38b4cdda40d823526aaaf" src="http://lostremote.com/files/2012/12/95a085e454b38b4cdda40d823526aaaf.png" alt="" width="143" height="143" /></a>We first <a href="http://lostremote.com/shelby-tv-breaks-out-of-private-beta-with-ipad-app_b22145" target="_blank">wrote</a> about Plizy back in October 2011. Over a year ago, the concept of curating all your video in one place was a bit early on for a social TV environment that was still only focused on real-time airings and linear. Today&#8217;s TV viewer&#8217;s iPad home screen is dominated with video viewing apps like Netflix, Hulu Plus, HBO Go, Showtime Anytime and your provider&#8217;s app (if they have a good one). Now <a href="http://www.plizy.com/" target="_blank">Plizy</a> is using your social graph and let you easily navigate to each of these TV video platforms. <a href="http://lostremote.com/connect-to-all-your-tv-viewing-apps-from-one-place-meet-plizy_b35769#more-35769" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/connect-to-all-your-tv-viewing-apps-from-one-place-meet-plizy_b35769#disqus_thread</comments>
<link>http://lostremote.com/connect-to-all-your-tv-viewing-apps-from-one-place-meet-plizy_b35769</link>
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		<category><![CDATA[Second Screen]]></category>
		<category><![CDATA[atlas venture]]></category>
		<category><![CDATA[David Marcus]]></category>
		<category><![CDATA[Fred Destin]]></category>
		<category><![CDATA[hbo go]]></category>
		<category><![CDATA[hulu plus]]></category>
		<category><![CDATA[Jonathan Benassaya]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[plizy]]></category>
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		<category><![CDATA[social TV]]></category>
<pubDate>Tue, 25 Dec 2012 18:54:07 +0000</pubDate>
  
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<title>How Offerpop helped make &#8216;Ru Paul&#8217;s All Star Drag Race&#8217; and &#8216;Jersey Shore&#8217; more social</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2012/12/169x57xlogo.png.pagespeed.ic_.BBi2nFz8wp.png"><img class="alignright size-full wp-image-35763" title="169x57xlogo.png.pagespeed.ic.BBi2nFz8wp" src="http://lostremote.com/files/2012/12/169x57xlogo.png.pagespeed.ic_.BBi2nFz8wp.png" alt="" width="169" height="57" /></a><a href="http://offerpop.com" target="_blank">Offerpop</a>, describes its servies as a way to &#8220;run best-of-breed social campaigns, optimize posts, and get actionable fan data &#8211; all from one platform.&#8221; This fall Viacom Media Networks&#8217; Logo channel and MTV leveraged their popular apps to help take the <a href="http://lostremote.com/ru-pauls-drag-race-success-with-social-tv_b28455" target="_blank">already extremely social</a> Ru Paul Drag Race and the final season of Jersey Shore to a new level of social TV success. <a href="http://lostremote.com/how-offerpop-helped-make-ru-pauls-all-star-drag-race-and-jersey-shore-more-social_b35762#more-35762" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/how-offerpop-helped-make-ru-pauls-all-star-drag-race-and-jersey-shore-more-social_b35762#disqus_thread</comments>
<link>http://lostremote.com/how-offerpop-helped-make-ru-pauls-all-star-drag-race-and-jersey-shore-more-social_b35762</link>
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		<category><![CDATA[Facebook Apps]]></category>
		<category><![CDATA[Facebook]]></category>
		<category><![CDATA[jersey shore]]></category>
		<category><![CDATA[offerpop]]></category>
		<category><![CDATA[ru paul's all star drag race]]></category>
		<category><![CDATA[sign up]]></category>
		<category><![CDATA[social TV]]></category>
		<category><![CDATA[tug of war]]></category>
<pubDate>Tue, 25 Dec 2012 14:05:04 +0000</pubDate>
  
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<title>An inside look at how IntoNow&#8217;s &#8216;CapIt&#8217; is making photos of TV social</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2012/12/Screen-Shot-2012-12-25-at-1.16.23-PM.png"><img class="alignright  wp-image-35757" title="Screen Shot 2012-12-25 at 1.16.23 PM" src="http://lostremote.com/files/2012/12/Screen-Shot-2012-12-25-at-1.16.23-PM-300x152.png" alt="" width="180" height="91" /></a>This past year, was the year of the image maturing on the social web. From <a href="http://lostremote.com/exclusive-how-pinterest-is-driving-results-for-the-food-network_b31008" target="_blank">Pinterest</a> to <a href="http://lostremote.com/instagram-debuts-on-the-web-a-look-at-some-of-the-first-media-profile-pages_b34900" target="_blank">Instagram</a>, to animated GIFs on <a href="http://lostremote.com/how-tv-can-leverage-tumblr-for-social-buzz_b29980" target="_blank">Tumblr</a>, it&#8217;s never been more fun and social to customize and mold photos about your favorite TV shows. Here&#8217;s how Yahoo&#8217;s <a href="http://lostremote.com/tag/intonow" target="_blank">IntoNow</a> users are using their &#8220;CapIt&#8221; feature to turn photos about TV into mini, customized memes. <a href="http://lostremote.com/an-inside-look-at-how-intonow-capit-is-making-photos-of-tv-social_b35754#more-35754" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/an-inside-look-at-how-intonow-capit-is-making-photos-of-tv-social_b35754#disqus_thread</comments>
<link>http://lostremote.com/an-inside-look-at-how-intonow-capit-is-making-photos-of-tv-social_b35754</link>
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		<category><![CDATA[Second Screen]]></category>
		<category><![CDATA[30 Rock]]></category>
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		<category><![CDATA[Instagram]]></category>
		<category><![CDATA[IntoNow]]></category>
		<category><![CDATA[liz lemon]]></category>
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		<category><![CDATA[Miso]]></category>
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<pubDate>Tue, 25 Dec 2012 13:17:29 +0000</pubDate>
  
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<title>USA Network invites fans to create tagline for new season of &#8216;Psych&#8217;</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2012/12/episodes_tab00.jpg"><img class="alignright  wp-image-35748" title="episodes_tab00" src="http://lostremote.com/files/2012/12/episodes_tab00-300x180.jpg" alt="" width="210" height="126" /></a>USA Network is tapping into their fans to help develop the marketing strategy for the seventh season of <a href="http://www.usanetwork.com/series/psych/" target="_blank">Psych</a> which will premiere on the network on Wednesday, February 27, at 10/9c. Through December 23rd fans were able to &#8220; visit the <a title="Psych" href="http://tvbythenumbers.com/psych-usa">Psych</a> Tag iiit app on USANetwork.com or the show Facebook page to submit, review and rank taglines.&#8221; <a href="http://lostremote.com/usa-network-invites-fans-to-create-tagline-for-new-season-of-psych_b35744#more-35744" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/usa-network-invites-fans-to-create-tagline-for-new-season-of-psych_b35744#disqus_thread</comments>
<link>http://lostremote.com/usa-network-invites-fans-to-create-tagline-for-new-season-of-psych_b35744</link>
<guid isPermaLink="false">http://lostremote.com/?p=35744</guid>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Primetime TV]]></category>
		<category><![CDATA[psych]]></category>
		<category><![CDATA[social TV]]></category>
		<category><![CDATA[tag iiit]]></category>
		<category><![CDATA[tagline]]></category>
		<category><![CDATA[USA Network]]></category>
<pubDate>Tue, 25 Dec 2012 12:49:11 +0000</pubDate>
  
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<title>An inside look at how Starlight Runner develops social TV storytelling</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2012/12/SLR-LOGO.jpg.0x675.pcrxnay9tipjsjormliswrc8dhb2zkt9.jpg"><img class="alignright  wp-image-35738" title="SLR LOGO.jpg.0x675.pcrxnay9tipjsjormliswrc8dhb2zkt9" src="http://lostremote.com/files/2012/12/SLR-LOGO.jpg.0x675.pcrxnay9tipjsjormliswrc8dhb2zkt9.jpg" alt="" width="150" height="138" /></a>The Teenage Mutant Ninja Turtles <a href="Below are the answers from Jeff Gomez, CEO of Starlight Runner. Let me know if you would also like me to send you a link to download their press kit.  • Why are you working with Nick on Turtles, how did it come about, what are the social and second screen highlights?  Teenage Mutant Ninja Turtles is a classic, evergreen brand that had recently been acquired by Nickelodeon when Starlight Runner Entertainment was first contacted. There was an enormous amount of assets and content to sift through. The story of the Turtles had been told many times over, some times more successfully than others. There were hundreds of characters, contradictions in the different incarnations, some silly stuff that wouldn't be accepted by a contemporary audience of kids. As a huge media company, how do you approach all of that, and make sense of it? How do you build a strong connection between the TMNT property and the Nickelodeon brand? How can you be sure that you are playing to the strengths of the Turtles story world on each of the traditional and digital media platforms you have access to? That's where Starlight Runner comes in.  My team here at Starlight Runner have this remarkable skill set that allows us to see the forest for the trees. The showrunners at Nickelodeon were hard at working making the animated series as good as it can be. They didn't have the time or wherewithal to deal with all of these issues. Starlight Runner has built a reputation for pinpointing the essence of a property and tuning into the vision of the creators behind it. We're trusted by some of the biggest studios and producers in the world, so it stood to reason that Nickelodeon decided to come to us with the Turtles assignment. So they asked us to answer these questions, show them the &quot;forest,&quot; and familiarize stakeholders throughout the company with the canonical Turtles story world and how it can play in a transmedia world. Of course, we said yes. I loved the original comics and my team grew up on Turtles!  Regarding the social and second screen highlights, we think Nickelodeon has done a great job so far, rolling out TMNT to a new generation of kids. They used social media to connect with Turtles uber-fans initially, which was a great idea, because it communicated that Nickelodeon cared about how long-time fans might feel about the new content. They reached out to parents and older siblings who loved the Turtles when they were younger, which I think encouraged them to introduce the property to their children or kid brothers and sisters. The general second screen and social media rollout has been expansive, but I think Nickelodeon has only just started. As the series continues, social and second screen content, as well as multi-platform content of all kinds, will be informed by the new assets and source material we've assembled for them. All of that content will nurture and grow the story world of Ninja Turtles. It's a model that is still fairly new and unique in kids television.  • How is transmedia changing the way brands, especially brands in broadcast approach multiplatform content?  Television is rapidly integrating into a greater continuum of screens and devices, particularly for young people. If you're spending many millions of dollars on a show that has a rich story world and resonant themes, it's a mistake to avoid granting potential audience members access to that world on other platforms. I'm not talking about straight on distribution. Everyone now knows you need to make your core content—your TV show in this case—available through most every conceivable screen. What I'm really talking about is providing unique experiences of that world through different media. Something new and vital and engaging that is set in your story world, that's what keeps the audience coming back to your property, not reruns.  What we're seeing at Starlight Runner is that more networks and studios are becoming hip to this. You're seeing it on Showtime with Dexter, on HBO with Game of Thrones, on SyFy with Defiance, and on Fox with Glee. Each of these networks is taking the best of what we call transmedia storytelling and leveraging their brands in ways that build appreciation for the story and characters, but also let audiences know that they care, that they're listening, and that the mutual and sometimes interactive engagement of storytelling can be as fun as it is profitable.  So transmedia development, production and implementation techniques are helping to invigorate the broadcast model by keeping broadcast relevant in a world where communication has become pervasive, a world where we are no longer dependent on a handful of TV channels to amuse us. Story can now almost literally flow around us, immersing us, and connecting with us whether or not we are in front of a television.   • What are the benefits of a multiplatform strategy for brands and their media properties?  The old model for brand holders was a straight line. It went from them to you through a highly limited selection of media platforms. That doesn't fly anymore. Robust, concerted multi-platform strategies play to the unique features and strengths of each media platform, offering satisfying, self-contained stories set in a greater universe that becomes more familiar and enticing with each encounter. Successful transmedia implementations extend the life cycles of brands, because by its nature transmedia offers the opportunity for dialog. When people can talk to one another about a brand, and better yet exchange thoughts, opinions and ideas with the brand holder, there's magic in that. Everyone wants the experience to last longer. Of course, a lot of brand holders are still frightened by this.   • Tell me about your mythology bible and how it helps licensees develop multiplatform content?  Starlight Runner's Franchise Mythology bibles are the cure for the fear felt by brand holders over engaging with mass audiences. Our Mythologies collect the totality of the story world of the media property (or of the brand for that matter), and refine it into a single persistent and consistent narrative universe. Every brand or media property that has stood the test of time has something important to say about the human condition. It is telling us something we need to know, and it's doing that in a way that is unique and compelling. My team discerns the DNA of the brand or story world and communicates what that is simply and elegantly in the Mythology. It's important to note that this is not guesswork. This is something that is possible and doable, and we've done it many times with some of the biggest media properties in all of pop culture.  Once our client or partner understands the brand essence—the messages, themes and aspirational qualities of their story world—multi-platform implementation becomes a much simpler task. The biggest complaint that audiences have about so-called ancillary content is that it doesn't ring true to the story they have been enjoying on the driving platform. So if Donatello behaves obnoxiously and is rude to April in the chapter book or the Flash game, that ruins the fans experience of that product, because on the TV show Donatello would never do those things. Our Mythology bibles expedite the creative process for licensees by conveying a true sense of who these characters are and what they stand for. More importantly, they delineate better ways to tell stories that possess the unique flavor of the franchise universe, and even offer up ideas on how licensed content can tell stories that feel vital and additive to the story world without interfering with the plans of the showrunners.  So our Mythology bibles are resources that encourage and reward stakeholders for keeping it real. When the content feels true to vision of the core creatives, it really can't go astray. And when you're being real, you don't need to be afraid.   • You’ve worked on a lot of film and game properties, what was it like working with a broadcaster like Nickelodeon? How is building multiplatform content for a television show different from some of your other work?  We've actually done television for quite some time. Starlight Runner developed, co-produced and co-wrote Hot Wheels: World Race with Mattel, which aired on Cartoon Network as a computer animated mini-series. We worked on a pivotal season of Dexter for Showtime, as well as on a number of TV shows for Canadian broadcasters. Nickelodeon has seen some of our best work, though, and we're proud to collaborate with them.  Nickelodeon is unique in our experience, because they have such a powerful sense of their brand, and natural, super-sharp instincts when it comes to their audience. Unlike most of our big corporate clients, they were able to square off with us on our home turf. They could argue theme, they could ask us to re-examine our conclusions on some aspirational aspect of the property. There could be some tense moments, but frankly, we loved it! With properties like Spongebob Squarepants, Nickelodeon has an innate understanding of what goes into keeping a brand evergreen. They understand that sometimes things have to change to stay relevant. The tweaks we discussed with them around the Teenage Mutant NInja Turtles to this end were challenging for both sides to wrap our minds around, but in the end they were more right than not. That's exciting!  Advising on (and sometimes helping to build) multi-platform content for each of our clients is different for a variety of reasons, not the least of which are what platforms are available within their distribution system. In the case of Nickelodeon, there are few limits, as they're a part of a massive media conglomerate. So the best advice we can give them about building the content is the same we give everyone: stay consistent and true to your brand, while continuing to surprise and delight your audience. Sure, that's not easy, but you'd be shocked at how many companies fracture their properties and allow schisms to form in their audiences. Which version of the property is &quot;real&quot; and which doesn't count? Are you letting your licensees or other divisions of your company run off and create an entirely different version of the property you're spending millions to nurture and build a global audience for? Are you listening to your audience, keeping track of their behavior around the property, and talking with them? You need to know the answers to those questions!  I will say that working with television in a transmedia production capacity is also fun simply due to the vast quantity of content that is accessible with a TV series. The form is truly remarkable from a motion picture standpoint, because it is long-form and can take on an epic quality. Right now Starlight Runner is examining several shows that have actually ended their run. The networks and studios are looking for ways to revitalize older or &quot;finished&quot; content like these, and we have some ideas about creating transmedia superstructures around them. These are bits of interactive content and &quot;connective tissue&quot; that is highly story-driven and plays into the mythology of the show. It's designed with second and third screens in mind, so that the experience of watching or re-watching the show is richer and can even throw the entire work into a new and more vibrant light. The possibilities are endless!" target="_blank">are back</a> and are taking over multiple platforms as Nickelodeon grows the brand for a new generation of kids (and pizza lovers). To help the Turtles take over multiple screens, Nick tapped <a href="http://www.starlightrunner.com/about" target="_blank">Starlight Runner Entertainment</a> a social TV company that was tasked with taking all of the brands assets and painting them in the right way on different platforms. We interviewed CEO <a href="https://twitter.com/Jeff_Gomez" target="_blank">Jeff Gomez</a> about their role in the Turtles growth. <a href="http://lostremote.com/an-inside-look-at-how-starlight-runner-develops-social-tv-storytelling_b35736#more-35736" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/an-inside-look-at-how-starlight-runner-develops-social-tv-storytelling_b35736#disqus_thread</comments>
<link>http://lostremote.com/an-inside-look-at-how-starlight-runner-develops-social-tv-storytelling_b35736</link>
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		<category><![CDATA[Second Screen]]></category>
		<category><![CDATA[nick]]></category>
		<category><![CDATA[nickelodeon]]></category>
		<category><![CDATA[ninja turtles]]></category>
		<category><![CDATA[second screen]]></category>
		<category><![CDATA[starlight runner]]></category>
		<category><![CDATA[teenage mutant ninja turtles]]></category>
		<category><![CDATA[tmnt]]></category>
<pubDate>Tue, 25 Dec 2012 12:02:40 +0000</pubDate>
  
	<media:content url="http://lostremote.com/files/2012/12/SLR-LOGO.jpg.0x675.pcrxnay9tipjsjormliswrc8dhb2zkt9.jpg" width="290" height="140" medium="image" />
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<title>CW&#8217;s &#8216;Arrow&#8217; loses social TV buzz and ratings points, is this correlation?</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2012/12/Screen-Shot-2012-12-24-at-7.07.04-PM.png"><img class="alignright size-full wp-image-35732" title="Screen Shot 2012-12-24 at 7.07.04 PM" src="http://lostremote.com/files/2012/12/Screen-Shot-2012-12-24-at-7.07.04-PM.png" alt="" width="258" height="74" /></a>At the end of November we <a href="http://lostremote.com/reveges-dip-in-social-tv-matches-up-with-dip-in-ratings_b35295" target="_blank">pointed out</a> that GetGlue data from Trendrr on Revenge matched up with linear data from Nielsen. GetGlue&#8217;s data on scripted shows from December 10-16 reveals a similar trend with the CW&#8217;s Arrow. Here are the details.  <a href="http://lostremote.com/cws-arrow-loses-social-tv-buzz-and-ratings-points-is-this-correlation_b35730#more-35730" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/cws-arrow-loses-social-tv-buzz-and-ratings-points-is-this-correlation_b35730#disqus_thread</comments>
<link>http://lostremote.com/cws-arrow-loses-social-tv-buzz-and-ratings-points-is-this-correlation_b35730</link>
<guid isPermaLink="false">http://lostremote.com/?p=35730</guid>
		<category><![CDATA[Primetime TV]]></category>
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		<category><![CDATA[correlation]]></category>
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		<category><![CDATA[nielsen]]></category>
		<category><![CDATA[ratings]]></category>
		<category><![CDATA[revenge]]></category>
		<category><![CDATA[social TV]]></category>
<pubDate>Mon, 24 Dec 2012 19:08:18 +0000</pubDate>
  
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<title>An inside look at &#8216;Battle for Nuceria,&#8217; the Spartacus social TV experience</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2012/12/Screen-Shot-2012-12-24-at-6.14.44-PM.png"><img class="alignright  wp-image-35724" title="Screen Shot 2012-12-24 at 6.14.44 PM" src="http://lostremote.com/files/2012/12/Screen-Shot-2012-12-24-at-6.14.44-PM-300x124.png" alt="" width="240" height="99" /></a>In January, <a href="http://www.starz.com/originals/spartacus" target="_blank">Spartacus</a>, a Starz original series, will launch its third and final season &#8220;War of the Damned&#8221;. Months before the season airs the network launched a detailed and exciting social TV experience for fans called &#8220;<a href="https://battlefornuceria.com/?utm_source=google&amp;utm_medium=cpc&amp;utm_campaign=B4N+-+Spartacus&amp;utm_term=battle%2520for%2520nuceria&amp;utm_content=s6MDRgI0C%7cpcrid%7c15923240774%7cpkw%7cbattle%2520for%2520nuceria%7cpmt%7cp" target="_blank">Battle for Nuceria</a>,&#8221; allowing fans to engage with the show and characters through missions and experiences where they can earn points and win prizes. We interviewed <a href="https://twitter.com/RhythmEE" target="_blank">Erin Dwyer</a>, Starz Executive Director of Digital Marketing about the details of this impressive social TV experience. <a href="http://lostremote.com/an-inside-look-at-battle-for-nuceria-the-spartacus-social-tv-experience_b35723#more-35723" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/an-inside-look-at-battle-for-nuceria-the-spartacus-social-tv-experience_b35723#disqus_thread</comments>
<link>http://lostremote.com/an-inside-look-at-battle-for-nuceria-the-spartacus-social-tv-experience_b35723</link>
<guid isPermaLink="false">http://lostremote.com/?p=35723</guid>
		<category><![CDATA[Primetime TV]]></category>
		<category><![CDATA[Battle for Nuceria]]></category>
		<category><![CDATA[erin dwyer]]></category>
		<category><![CDATA[Spartacus]]></category>
		<category><![CDATA[Spartacus: War of the Damned]]></category>
		<category><![CDATA[STARZ]]></category>
		<category><![CDATA[war of the damned]]></category>
<pubDate>Mon, 24 Dec 2012 18:37:59 +0000</pubDate>
  
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<title>Why TV should pay attention to YouTube&#8217;s Thrash Lab Channel and &#8216;Comment Counselor&#8217;</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2012/12/22798_410174232382185_1704453399_n.png"><img class="alignright size-medium wp-image-35717" title="22798_410174232382185_1704453399_n" src="http://lostremote.com/files/2012/12/22798_410174232382185_1704453399_n-300x111.png" alt="" width="300" height="111" /></a>As the web evolves and matures we&#8217;ve begun to cover more shows that are not on traditional TV. For example, <a href="http://lostremote.com/inside-look-at-hulus-first-original-scripted-show-battleground_b28885" target="_blank">Battleground</a> and <a href="http://lostremote.com/how-hulus-the-yard-used-its-young-cast-to-promote-the-show_b31759" target="_blank">The Yard</a> are two must see shows from 2012, that aired exclusively on Hulu in the US, not a traditional TV network. In May YouTube <a href="http://www.washingtonpost.com/blogs/tv-column/post/youtube-pitches-new-channels-to-advertisers-during-tv-networks-upfront-frenzy/2012/05/02/gIQAu8YSwT_blog.html" target="_blank">pitched</a> their brand new TV-like channels to advertisers during the traditional TV upfronts. Now Ashton Kutcher&#8217;s <a href="http://thrashlab.com/" target="_blank">Thrash Lab</a> YouTube Channel and <a href="https://twitter.com/MrEricFinley" target="_blank">Eric Finley</a> are showing off what the future of comedy will look like with &#8220;<a href="http://www.youtube.com/commentcounselor" target="_blank">Comment Counselor</a>.&#8221; <a href="http://lostremote.com/why-tv-should-pay-attention-to-youtubes-thrash-labs-channel-and-comment-counselor_b35715#more-35715" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/why-tv-should-pay-attention-to-youtubes-thrash-labs-channel-and-comment-counselor_b35715#disqus_thread</comments>
<link>http://lostremote.com/why-tv-should-pay-attention-to-youtubes-thrash-labs-channel-and-comment-counselor_b35715</link>
<guid isPermaLink="false">http://lostremote.com/?p=35715</guid>
		<category><![CDATA[Web TV]]></category>
		<category><![CDATA[ashton kutcher]]></category>
		<category><![CDATA[eric finley]]></category>
		<category><![CDATA[katalyst]]></category>
		<category><![CDATA[lost remote]]></category>
		<category><![CDATA[michael lewen]]></category>
		<category><![CDATA[thrash lab]]></category>
		<category><![CDATA[YouTube]]></category>
<pubDate>Mon, 24 Dec 2012 17:10:24 +0000</pubDate>
  
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<title>Dijit launches &#8216;NextGuide Clips&#8217; and updates remote app</title>
<description><![CDATA[<p><a href="http://lostremote.com/tag/dijit" target="_blank"><img class="alignright" title="dijit" src="http://www.lostremote.com/files/2012/09/nextguide.jpg" alt="" width="175" height="105" />Dijit Media</a> has continued to push forward as the role of the second screen for TV evolves. In September they launched <a href="http://lostremote.com/dijit-launches-nextguide-a-personalized-app-to-find-tv-on-every-platform_b33744" target="_blank">NextGuide</a>, an app that compliments their original Dijit universal remote app. As the year comes to an end the San Francisco-based company has announced some major updates to both apps.  <a href="http://lostremote.com/dijit-launches-nextguide-clips-and-updates-remote-app_b35711#more-35711" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/dijit-launches-nextguide-clips-and-updates-remote-app_b35711#disqus_thread</comments>
<link>http://lostremote.com/dijit-launches-nextguide-clips-and-updates-remote-app_b35711</link>
<guid isPermaLink="false">http://lostremote.com/?p=35711</guid>
		<category><![CDATA[Second Screen]]></category>
		<category><![CDATA[dijit]]></category>
		<category><![CDATA[Hulu]]></category>
		<category><![CDATA[jeremy toeman]]></category>
		<category><![CDATA[nextguide]]></category>
		<category><![CDATA[second screen]]></category>
<pubDate>Mon, 24 Dec 2012 15:52:47 +0000</pubDate>
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<title>Why First Lady Michelle Obama shouldn&#8217;t have watched season three of Downton Abbey before it aired in the U.S.</title>
<description><![CDATA[<p><img class="alignright" title="downton" src="http://4.bp.blogspot.com/-g1mvpu5YdQ8/UKJGn7G-DqI/AAAAAAAAaRc/zmCpw0ujK0E/s1600/.007.jpg" alt="" width="201" height="199" />Earlier this fall, we wrote about a huge problem facing the industry that social TV is bringing to light. In &#8220;<a href="http://lostremote.com/have-you-already-watched-downton-abbey-season-three_b34714" target="_blank">Have you already watched Downton Abby Season three?</a>&#8220;, we discussed how delaying launches of seasons is too hard on fans who can too easily see spoilers on every major social platform (Downton season three already aired in the U.K. but won&#8217;t premiere in the U.S. until next month). In November, <a href="http://www.thesun.co.uk/sol/homepage/showbiz/tv/4641033/michelle-obama-loves-downton-abbey.html" target="_blank">The Sun revealed</a> that First Lady Michelle Obama asked ITV for the new season and got it. Even Stephen Colbert <a href="http://www.colbertnation.com/the-colbert-report-videos/422221/december-13-2012/uncensored---breaking-abbey" target="_blank">poked fun</a> at this the other week when the cast was in town promoting the show. Why isn&#8217;t the TV industry upset at the First Lady&#8217;s impatience? Why is she allowed to watch but not the rest of country? Here&#8217;s why the First Lady did the wrong thing by requesting the third season early. <a href="http://lostremote.com/why-first-lady-michelle-obama-shouldnt-have-watched-season-three-of-downton-abbey-before-it-aired-in-the-u-s_b35708#more-35708" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/why-first-lady-michelle-obama-shouldnt-have-watched-season-three-of-downton-abbey-before-it-aired-in-the-u-s_b35708#disqus_thread</comments>
<link>http://lostremote.com/why-first-lady-michelle-obama-shouldnt-have-watched-season-three-of-downton-abbey-before-it-aired-in-the-u-s_b35708</link>
<guid isPermaLink="false">http://lostremote.com/?p=35708</guid>
		<category><![CDATA[First Lady]]></category>
		<category><![CDATA[downton abbey]]></category>
		<category><![CDATA[first lady]]></category>
		<category><![CDATA[itv]]></category>
		<category><![CDATA[michelle obama]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[pirating]]></category>
		<category><![CDATA[social TV]]></category>
		<category><![CDATA[white house]]></category>
<pubDate>Fri, 21 Dec 2012 01:31:47 +0000</pubDate>
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<title>Stevie raises additional $1.5M in funding and expands to iPhone</title>
<description><![CDATA[<p><img class="alignright" title="stevie" src="http://lostremote.com/files/2012/10/stevie1.png" alt="" width="180" height="69" />Investors continue to place their bets on social TV.In October we wrote about <a href="http://www.stevie.com/" target="_blank">Stevie</a>, the social TV platform that brings your <a href="http://lostremote.com/bringing-your-social-graph-to-tv-meet-stevie_b34780" target="_blank">social graph to the main screen</a>. The Israel-based company has just announced a new round of funding and the expansion of their platform to the iPhone. Here are the details. <a href="http://lostremote.com/stevie-raises-additional-1-5m-in-funding-and-expands-to-iphone_b35696#more-35696" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/stevie-raises-additional-1-5m-in-funding-and-expands-to-iphone_b35696#disqus_thread</comments>
<link>http://lostremote.com/stevie-raises-additional-1-5m-in-funding-and-expands-to-iphone_b35696</link>
<guid isPermaLink="false">http://lostremote.com/?p=35696</guid>
		<category><![CDATA[Startups]]></category>
		<category><![CDATA[Flipboard]]></category>
		<category><![CDATA[funding]]></category>
		<category><![CDATA[horizons ventures]]></category>
		<category><![CDATA[lost remote]]></category>
		<category><![CDATA[second screen]]></category>
		<category><![CDATA[social TV]]></category>
		<category><![CDATA[stevie]]></category>
<pubDate>Wed, 19 Dec 2012 08:28:04 +0000</pubDate>
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<title>How are you feeling today? An inside look at how &#8216;The Dr. Oz Show&#8217; is using social TV</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2012/12/Screen-Shot-2012-12-18-at-10.16.54-PM1.png"><img class="alignright  wp-image-35678" title="Screen Shot 2012-12-18 at 10.16.54 PM" src="http://lostremote.com/files/2012/12/Screen-Shot-2012-12-18-at-10.16.54-PM1-300x184.png" alt="" width="240" height="147" /></a>With the holiday season upon us, it&#8217;s extremely important to use social TV to stay fit and healthy as latkes, jelly donuts, eggnog and more are being thrown at us in every directly. Dr. Oz and his digital team behind the Emmy Award-winning &#8220;<a href="http://www.doctoroz.com/" target="_blank">The Dr. Oz Show</a>&#8221; have leveraged social TV to spread healthy living tips and create a social TV experience around asking the extremely important question, &#8220;how are you feeling today?&#8221;  <a href="http://lostremote.com/how-are-you-feeling-today-an-inside-look-at-how-the-dr-oz-show-is-using-social-tv_b35676#more-35676" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/how-are-you-feeling-today-an-inside-look-at-how-the-dr-oz-show-is-using-social-tv_b35676#disqus_thread</comments>
<link>http://lostremote.com/how-are-you-feeling-today-an-inside-look-at-how-the-dr-oz-show-is-using-social-tv_b35676</link>
<guid isPermaLink="false">http://lostremote.com/?p=35676</guid>
		<category><![CDATA[Holidays]]></category>
		<category><![CDATA[dave lankford]]></category>
		<category><![CDATA[dr. oz]]></category>
		<category><![CDATA[how do you feel]]></category>
		<category><![CDATA[john oates]]></category>
		<category><![CDATA[samantha lazarus]]></category>
		<category><![CDATA[second screen]]></category>
		<category><![CDATA[social TV]]></category>
		<category><![CDATA[you feel]]></category>
<pubDate>Wed, 19 Dec 2012 08:25:15 +0000</pubDate>
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<title>Mass Relevance launches new tool to curate photos for TV</title>
<description><![CDATA[<p><img class="alignright" title="Mass Relevance" src="http://massrelevance.staging.wpengine.com/wp-content/uploads/2012/03/mr.com_logo5.png" alt="" width="169" height="51" />Displaying a tweet on TV? That was so 2012. Last month, <a href="http://lostremote.com/tag/mass-relevance" target="_blank">Mass Relevance</a> <a href="http://www.massrelevance.com/mass-relevance-brings-social-to-life-with-socialphototm/" target="_blank">launched</a> SocialPhoto™, a new tool that will allow &#8220;brands can easily tap into the social sharing already taking place on Instagram, as well as on Twitter, Facebook and Google+.&#8221; As 2012 wraps up, and photo platforms like Instagram <a href="http://muckrack.com/link/Q3hW/thank-you-and-were-listening" target="_blank">evolve</a> and grow, visualizing tweets on TV is not enough anymore. Here&#8217;s how Mass Relevance is helping TV networks and brands more easily bring photos into their social TV experience.  <a href="http://lostremote.com/mass-relevance-launches-new-tool-to-curate-photos-for-tv_b35691#more-35691" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/mass-relevance-launches-new-tool-to-curate-photos-for-tv_b35691#disqus_thread</comments>
<link>http://lostremote.com/mass-relevance-launches-new-tool-to-curate-photos-for-tv_b35691</link>
<guid isPermaLink="false">http://lostremote.com/?p=35691</guid>
		<category><![CDATA[Photos]]></category>
		<category><![CDATA[Facebook]]></category>
		<category><![CDATA[fordf]]></category>
		<category><![CDATA[FOX Sports]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Instagram]]></category>
		<category><![CDATA[mass relevance]]></category>
		<category><![CDATA[second screen]]></category>
		<category><![CDATA[social TV]]></category>
		<category><![CDATA[victoria's secret]]></category>
<pubDate>Wed, 19 Dec 2012 02:18:57 +0000</pubDate>
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<title>The shows, people and brands that drove social TV in 2012 [infographic]</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2012/12/Screen-Shot-2012-12-18-at-11.51.38-PM.png"><img class="alignright size-medium wp-image-35687" title="Screen Shot 2012-12-18 at 11.51.38 PM" src="http://lostremote.com/files/2012/12/Screen-Shot-2012-12-18-at-11.51.38-PM-300x65.png" alt="" width="300" height="65" /></a>The end of the year is upon us. <a href="http://lostremote.com/tag/bluefin-labs" target="_blank">Bluefin Labs</a> just came out with their deep look at the shows, people and brands the drove social TV in 2012. From the election, to the Olympics, to Love &amp; Hip Hop and the X Factor here&#8217;s a look at the biggest social TV successes of the year. <a href="http://lostremote.com/the-shows-people-and-brands-that-drove-social-tv-in-2012-infographic_b35686#more-35686" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/the-shows-people-and-brands-that-drove-social-tv-in-2012-infographic_b35686#disqus_thread</comments>
<link>http://lostremote.com/the-shows-people-and-brands-that-drove-social-tv-in-2012-infographic_b35686</link>
<guid isPermaLink="false">http://lostremote.com/?p=35686</guid>
		<category><![CDATA[Social TV 2012]]></category>
		<category><![CDATA[2012]]></category>
		<category><![CDATA[Bluefin]]></category>
		<category><![CDATA[bluefin labs]]></category>
		<category><![CDATA[social TV]]></category>
		<category><![CDATA[social tv 2012]]></category>
<pubDate>Tue, 18 Dec 2012 23:56:49 +0000</pubDate>
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