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<title>nickelodeon - Lost Remote</title>
<link>http://lostremote.com</link>
<description>The Home of Social TV</description>
<copyright>Copyright 2013</copyright>
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<title>Nickelodeon&#8217;s Ninja Turtles game tops the iTunes app store</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2013/04/tmnt_screenshots_01_v2.jpg"><img class="alignright  wp-image-37431" title="tmnt_screenshots_01_v2" src="http://lostremote.com/files/2013/04/tmnt_screenshots_01_v2.jpg" alt="" width="269" height="202" /></a>Nickelodeon has another hit app in their arsenal. A couple of months after their major iPad app <a href="http://lostremote.com/an-inside-look-nickelodeons-new-ipad-app-rises-to-the-top-of-itunes_b36770" target="_blank">launched to success</a>, they&#8217;ve just released their first worldwide app, a <a href="http://www.nick.com/shows/ninja-turtles/" target="_blank">Ninja Turtles</a> game that can be <a href="https://itunes.apple.com/nz/app/teenage-mutant-ninja-turtles/id619517698?mt=8" target="_blank">downloaded</a> in the app store for $1.99. In &#8220;Teenage Mutant Ninja Turtles: Rooftop Run,&#8221; you can &#8220;join Leonardo, Raphael, Donatello and Michelangelo in this endless runner ninja combat game, where players run, jump and fight their way across the rooftops of New York in an attempt to save the city from the invading Kraang and ultimate destruction.&#8221; Here are the details. <a href="http://lostremote.com/nickelodeons-ninja-turtles-game-tops-the-itunes-app-store_b37429#more-37429" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/nickelodeons-ninja-turtles-game-tops-the-itunes-app-store_b37429#disqus_thread</comments>
<link>http://lostremote.com/nickelodeons-ninja-turtles-game-tops-the-itunes-app-store_b37429</link>
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		<category><![CDATA[Gaming]]></category>
		<category><![CDATA[Second Screen]]></category>
		<category><![CDATA[app]]></category>
		<category><![CDATA[game]]></category>
		<category><![CDATA[iphone app]]></category>
		<category><![CDATA[louvre]]></category>
		<category><![CDATA[nickelodeon]]></category>
		<category><![CDATA[ninja turtles]]></category>
		<category><![CDATA[notre dame]]></category>
		<category><![CDATA[social TV]]></category>
		<category><![CDATA[teenage mutant ninja turtles]]></category>
<pubDate>Sun, 21 Apr 2013 13:46:52 +0000</pubDate>
  
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<title>An inside look: Nickelodeon&#8217;s new iPad app rises to the top of iTunes</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2013/02/photo.png"><img class="alignright  wp-image-36772" title="photo" src="http://lostremote.com/files/2013/02/photo.png" alt="" width="158" height="142" /></a>You can officially get slimed&#8230;on the second screen. <a href="http://lostremote.com/tag/nickelodeon" target="_blank">Nickelodeon</a>&#8216;s new iPad app, &#8220;Nick App&#8221; (available for iPad <a href="https://itunes.apple.com/us/app/id596133590?mt=8" target="_blank">here</a>), hit iTunes on Thursday and has already risen to the number two spot in the U.S. for free apps. The new app is a game changer in the kid&#8217;s TV world as younger demographics can&#8217;t understand why <a href="http://www.youtube.com/watch?feature=player_embedded&amp;v=aXV-yaFmQNk" target="_blank">old media isn&#8217;t touchable</a>.  We spoke with Nick Digital Senior Vice President <span style="font-size: 13px; line-height: 19px;"><a href="http://www.linkedin.com/profile/view?id=497963&amp;authType=NAME_SEARCH&amp;authToken=4CrW&amp;locale=en_US&amp;srchid=4a42234e-220f-47f7-8af6-8fd47a40ad6b-0&amp;srchindex=4&amp;srchtotal=991&amp;goback=%2Efps_PBCK_*1_Matt_Evans_*1_*1_*1_*1_*2_*1_Y_*1_*1_*1_false_1_R_*1_*51_*1_*51_true_*2_*2_*2_*2_*2_*2_*2_*2_*2_*2_*2_*2_*2_*2_*2_*2_*2_*2_*2_*2_*2&amp;pvs=ps&amp;trk=pp_profile_name_link" target="_blank">Matthew Evans</a> about the big launch.</span></p>
<p> <a href="http://lostremote.com/an-inside-look-nickelodeons-new-ipad-app-rises-to-the-top-of-itunes_b36770#more-36770" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/an-inside-look-nickelodeons-new-ipad-app-rises-to-the-top-of-itunes_b36770#disqus_thread</comments>
<link>http://lostremote.com/an-inside-look-nickelodeons-new-ipad-app-rises-to-the-top-of-itunes_b36770</link>
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		<category><![CDATA[Second Screen]]></category>
		<category><![CDATA[fantasy interactive]]></category>
		<category><![CDATA[fi]]></category>
		<category><![CDATA[kid's choice awards]]></category>
		<category><![CDATA[matthew evans]]></category>
		<category><![CDATA[nick]]></category>
		<category><![CDATA[nick app]]></category>
		<category><![CDATA[nick digitals]]></category>
		<category><![CDATA[nickelodeon]]></category>
		<category><![CDATA[second screen]]></category>
		<category><![CDATA[slime]]></category>
		<category><![CDATA[social TV]]></category>
		<category><![CDATA[the croods]]></category>
<pubDate>Sun, 24 Feb 2013 12:11:18 +0000</pubDate>
  
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<title>2012 takeaways: sports and SpongeBob dominated social TV [infographic]</title>
<description><![CDATA[<p><img class="alignright" title="trendrr" src="http://www.lostremote.com/files/2012/06/trendrrlogo1.jpg" alt="" width="250" height="121" />NBC paid nearly $1.2 billion for the rights to cover the 2012 London Olympics. While that sum seems exorbitant, <a href="http://lostremote.com/tag/trendrr" target="_blank">Trendrr</a>&#8216;s Second Annual Year End Stats Report proves that it was worth every penny. According to the report, NBC was the most engaging network in 2012. Minus all sports and special-programming, though, Fox would have taken the title. <a href="http://lostremote.com/2012-takeaways-sports-and-spongebob-dominated-social-tv-infographic_b36020#more-36020" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/2012-takeaways-sports-and-spongebob-dominated-social-tv-infographic_b36020#disqus_thread</comments>
<link>http://lostremote.com/2012-takeaways-sports-and-spongebob-dominated-social-tv-infographic_b36020</link>
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		<category><![CDATA[Social TV 2012]]></category>
		<category><![CDATA[Fox]]></category>
		<category><![CDATA[NBC]]></category>
		<category><![CDATA[NBC Sports]]></category>
		<category><![CDATA[nickelodeon]]></category>
		<category><![CDATA[olympics]]></category>
		<category><![CDATA[social TV]]></category>
		<category><![CDATA[SpongeBob SquarePants]]></category>
		<category><![CDATA[sports]]></category>
<pubDate>Sat, 05 Jan 2013 21:24:01 +0000</pubDate>
  
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<title>An inside look at how Starlight Runner develops social TV storytelling</title>
<description><![CDATA[<p><a href="http://lostremote.com/files/2012/12/SLR-LOGO.jpg.0x675.pcrxnay9tipjsjormliswrc8dhb2zkt9.jpg"><img class="alignright  wp-image-35738" title="SLR LOGO.jpg.0x675.pcrxnay9tipjsjormliswrc8dhb2zkt9" src="http://lostremote.com/files/2012/12/SLR-LOGO.jpg.0x675.pcrxnay9tipjsjormliswrc8dhb2zkt9.jpg" alt="" width="150" height="138" /></a>The Teenage Mutant Ninja Turtles <a href="Below are the answers from Jeff Gomez, CEO of Starlight Runner. Let me know if you would also like me to send you a link to download their press kit.  • Why are you working with Nick on Turtles, how did it come about, what are the social and second screen highlights?  Teenage Mutant Ninja Turtles is a classic, evergreen brand that had recently been acquired by Nickelodeon when Starlight Runner Entertainment was first contacted. There was an enormous amount of assets and content to sift through. The story of the Turtles had been told many times over, some times more successfully than others. There were hundreds of characters, contradictions in the different incarnations, some silly stuff that wouldn't be accepted by a contemporary audience of kids. As a huge media company, how do you approach all of that, and make sense of it? How do you build a strong connection between the TMNT property and the Nickelodeon brand? How can you be sure that you are playing to the strengths of the Turtles story world on each of the traditional and digital media platforms you have access to? That's where Starlight Runner comes in.  My team here at Starlight Runner have this remarkable skill set that allows us to see the forest for the trees. The showrunners at Nickelodeon were hard at working making the animated series as good as it can be. They didn't have the time or wherewithal to deal with all of these issues. Starlight Runner has built a reputation for pinpointing the essence of a property and tuning into the vision of the creators behind it. We're trusted by some of the biggest studios and producers in the world, so it stood to reason that Nickelodeon decided to come to us with the Turtles assignment. So they asked us to answer these questions, show them the &quot;forest,&quot; and familiarize stakeholders throughout the company with the canonical Turtles story world and how it can play in a transmedia world. Of course, we said yes. I loved the original comics and my team grew up on Turtles!  Regarding the social and second screen highlights, we think Nickelodeon has done a great job so far, rolling out TMNT to a new generation of kids. They used social media to connect with Turtles uber-fans initially, which was a great idea, because it communicated that Nickelodeon cared about how long-time fans might feel about the new content. They reached out to parents and older siblings who loved the Turtles when they were younger, which I think encouraged them to introduce the property to their children or kid brothers and sisters. The general second screen and social media rollout has been expansive, but I think Nickelodeon has only just started. As the series continues, social and second screen content, as well as multi-platform content of all kinds, will be informed by the new assets and source material we've assembled for them. All of that content will nurture and grow the story world of Ninja Turtles. It's a model that is still fairly new and unique in kids television.  • How is transmedia changing the way brands, especially brands in broadcast approach multiplatform content?  Television is rapidly integrating into a greater continuum of screens and devices, particularly for young people. If you're spending many millions of dollars on a show that has a rich story world and resonant themes, it's a mistake to avoid granting potential audience members access to that world on other platforms. I'm not talking about straight on distribution. Everyone now knows you need to make your core content—your TV show in this case—available through most every conceivable screen. What I'm really talking about is providing unique experiences of that world through different media. Something new and vital and engaging that is set in your story world, that's what keeps the audience coming back to your property, not reruns.  What we're seeing at Starlight Runner is that more networks and studios are becoming hip to this. You're seeing it on Showtime with Dexter, on HBO with Game of Thrones, on SyFy with Defiance, and on Fox with Glee. Each of these networks is taking the best of what we call transmedia storytelling and leveraging their brands in ways that build appreciation for the story and characters, but also let audiences know that they care, that they're listening, and that the mutual and sometimes interactive engagement of storytelling can be as fun as it is profitable.  So transmedia development, production and implementation techniques are helping to invigorate the broadcast model by keeping broadcast relevant in a world where communication has become pervasive, a world where we are no longer dependent on a handful of TV channels to amuse us. Story can now almost literally flow around us, immersing us, and connecting with us whether or not we are in front of a television.   • What are the benefits of a multiplatform strategy for brands and their media properties?  The old model for brand holders was a straight line. It went from them to you through a highly limited selection of media platforms. That doesn't fly anymore. Robust, concerted multi-platform strategies play to the unique features and strengths of each media platform, offering satisfying, self-contained stories set in a greater universe that becomes more familiar and enticing with each encounter. Successful transmedia implementations extend the life cycles of brands, because by its nature transmedia offers the opportunity for dialog. When people can talk to one another about a brand, and better yet exchange thoughts, opinions and ideas with the brand holder, there's magic in that. Everyone wants the experience to last longer. Of course, a lot of brand holders are still frightened by this.   • Tell me about your mythology bible and how it helps licensees develop multiplatform content?  Starlight Runner's Franchise Mythology bibles are the cure for the fear felt by brand holders over engaging with mass audiences. Our Mythologies collect the totality of the story world of the media property (or of the brand for that matter), and refine it into a single persistent and consistent narrative universe. Every brand or media property that has stood the test of time has something important to say about the human condition. It is telling us something we need to know, and it's doing that in a way that is unique and compelling. My team discerns the DNA of the brand or story world and communicates what that is simply and elegantly in the Mythology. It's important to note that this is not guesswork. This is something that is possible and doable, and we've done it many times with some of the biggest media properties in all of pop culture.  Once our client or partner understands the brand essence—the messages, themes and aspirational qualities of their story world—multi-platform implementation becomes a much simpler task. The biggest complaint that audiences have about so-called ancillary content is that it doesn't ring true to the story they have been enjoying on the driving platform. So if Donatello behaves obnoxiously and is rude to April in the chapter book or the Flash game, that ruins the fans experience of that product, because on the TV show Donatello would never do those things. Our Mythology bibles expedite the creative process for licensees by conveying a true sense of who these characters are and what they stand for. More importantly, they delineate better ways to tell stories that possess the unique flavor of the franchise universe, and even offer up ideas on how licensed content can tell stories that feel vital and additive to the story world without interfering with the plans of the showrunners.  So our Mythology bibles are resources that encourage and reward stakeholders for keeping it real. When the content feels true to vision of the core creatives, it really can't go astray. And when you're being real, you don't need to be afraid.   • You’ve worked on a lot of film and game properties, what was it like working with a broadcaster like Nickelodeon? How is building multiplatform content for a television show different from some of your other work?  We've actually done television for quite some time. Starlight Runner developed, co-produced and co-wrote Hot Wheels: World Race with Mattel, which aired on Cartoon Network as a computer animated mini-series. We worked on a pivotal season of Dexter for Showtime, as well as on a number of TV shows for Canadian broadcasters. Nickelodeon has seen some of our best work, though, and we're proud to collaborate with them.  Nickelodeon is unique in our experience, because they have such a powerful sense of their brand, and natural, super-sharp instincts when it comes to their audience. Unlike most of our big corporate clients, they were able to square off with us on our home turf. They could argue theme, they could ask us to re-examine our conclusions on some aspirational aspect of the property. There could be some tense moments, but frankly, we loved it! With properties like Spongebob Squarepants, Nickelodeon has an innate understanding of what goes into keeping a brand evergreen. They understand that sometimes things have to change to stay relevant. The tweaks we discussed with them around the Teenage Mutant NInja Turtles to this end were challenging for both sides to wrap our minds around, but in the end they were more right than not. That's exciting!  Advising on (and sometimes helping to build) multi-platform content for each of our clients is different for a variety of reasons, not the least of which are what platforms are available within their distribution system. In the case of Nickelodeon, there are few limits, as they're a part of a massive media conglomerate. So the best advice we can give them about building the content is the same we give everyone: stay consistent and true to your brand, while continuing to surprise and delight your audience. Sure, that's not easy, but you'd be shocked at how many companies fracture their properties and allow schisms to form in their audiences. Which version of the property is &quot;real&quot; and which doesn't count? Are you letting your licensees or other divisions of your company run off and create an entirely different version of the property you're spending millions to nurture and build a global audience for? Are you listening to your audience, keeping track of their behavior around the property, and talking with them? You need to know the answers to those questions!  I will say that working with television in a transmedia production capacity is also fun simply due to the vast quantity of content that is accessible with a TV series. The form is truly remarkable from a motion picture standpoint, because it is long-form and can take on an epic quality. Right now Starlight Runner is examining several shows that have actually ended their run. The networks and studios are looking for ways to revitalize older or &quot;finished&quot; content like these, and we have some ideas about creating transmedia superstructures around them. These are bits of interactive content and &quot;connective tissue&quot; that is highly story-driven and plays into the mythology of the show. It's designed with second and third screens in mind, so that the experience of watching or re-watching the show is richer and can even throw the entire work into a new and more vibrant light. The possibilities are endless!" target="_blank">are back</a> and are taking over multiple platforms as Nickelodeon grows the brand for a new generation of kids (and pizza lovers). To help the Turtles take over multiple screens, Nick tapped <a href="http://www.starlightrunner.com/about" target="_blank">Starlight Runner Entertainment</a> a social TV company that was tasked with taking all of the brands assets and painting them in the right way on different platforms. We interviewed CEO <a href="https://twitter.com/Jeff_Gomez" target="_blank">Jeff Gomez</a> about their role in the Turtles growth. <a href="http://lostremote.com/an-inside-look-at-how-starlight-runner-develops-social-tv-storytelling_b35736#more-35736" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/an-inside-look-at-how-starlight-runner-develops-social-tv-storytelling_b35736#disqus_thread</comments>
<link>http://lostremote.com/an-inside-look-at-how-starlight-runner-develops-social-tv-storytelling_b35736</link>
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		<category><![CDATA[Second Screen]]></category>
		<category><![CDATA[nick]]></category>
		<category><![CDATA[nickelodeon]]></category>
		<category><![CDATA[ninja turtles]]></category>
		<category><![CDATA[second screen]]></category>
		<category><![CDATA[starlight runner]]></category>
		<category><![CDATA[teenage mutant ninja turtles]]></category>
		<category><![CDATA[tmnt]]></category>
<pubDate>Tue, 25 Dec 2012 12:02:40 +0000</pubDate>
  
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<title>Why is SpongeBob is so popular on social? Nickelodeon talks about social TV strategy</title>
<description><![CDATA[<p>Ever glance at the social TV charts and notice how Spongebob is consistently at the top at different parts of the day? <a href="https://twitter.com/#!/nickelodeontv" target="_blank">Nickelodeon&#8217;s</a> powerful pineapple under the sea has also created a passionate fan culture. The Viacom owned kids-focused TV network has an extremely diverse group of content that&#8217;s adored on linear and social by both their key demos and older ones that can&#8217;t stop talking.</p>
<p><a href="http://www.lostremote.com/files/2012/06/spongebobfb.jpg"><img class="alignnone size-full wp-image-30376" src="http://www.lostremote.com/files/2012/06/spongebobfb.jpg" alt="" width="600" height="357" /></a></p>
<p>Nickelodeon&#8217;s investment is social makes it clear that the network recognizes how important popular platforms are to reach consumers. This was the second year they used Facebook voting for the Kid&#8217;s Choice Awards, and this year they took social to the next level by incorporating Twitter and gamifying the experience. NickMom, their <a href="http://biz.viacom.com/sites/nickelodeonpress/NICKELODEON/Pages/showpdf.aspx?FileName=NickMOM%20FINAL_November%209%202011.pdf&amp;ItemID=594&amp;ListName=Press%20Releases" target="_blank">new slate</a> of mom-focused programming has a large digital component. They&#8217;ve also fueled their fan base for <a href="http://biz.viacom.com/sites/nickelodeonpress/NICKELODEON/Pages/showpdf.aspx?FileName=April%20Week%202_Korra_FINAL.pdf&amp;ListName=Press%20Releases&amp;ItemID=631" target="_blank">The Legend of Korra</a> by providing exclusive content to their <a href="http://korranation.tumblr.com/" target="_blank">Tumblr page</a> and fan community. First Lady Michelle Obama <a href="http://www.lostremote.com/2012/01/16/michelle-obama-joins-twitter-in-time-for-icarly-cameo/" target="_blank">even joined Twitter</a>, in part to promote her appearance on iCarly.</p>
<p>We spoke with Nickelodeon Vice President of Consumer Marketing Jack Daley about Spongebob, The Legend of Korra, NickMom, the Kid&#8217;s Choice Awards and their approach to social media.</p>
<p><strong>Lost Remote:</strong> <strong>What&#8217;s Nickelodeon&#8217;s social TV strategy?</strong></p>
<p><strong>Jack Daley: </strong>The approach differs across our franchises and channels, given the diversity in both the programming we offer and the audiences we cater to. Generally our strategy is to encourage conversation and create opportunities for consumer involvement around our programming.  The output of that strategy ranges from simple things like featuring hashtags and viewer tweets on-air (Degrassi) to deeper, more meaningful engagement, like allowing the audience to influence the programming lineup (90s Are All That).  We always try to reward our fans for their &#8220;fandom.&#8221;</p>
<p>With the volume of entertainment options that consumers have to choose from, it&#8217;s essential that we continue to develop ways for our fans to share their passion for our programming and, in doing so, provide endorsements to their broader social circles.</p>
<p><strong>LR: What social platforms does Nick work with? What partners?</strong></p>
<p><strong>Daley: </strong>Our largest footprint is on Facebook, with roughly 138 million fans across all of our pages.  Obviously, Twitter is also hugely important for both participation in and listening to feedback/conversations around our programming.  Tumblr has definitely emerged as the third platform where we&#8217;re starting to dedicate more time and resources, whether its highlighting fan passion for the <a href="http://90sareallthat.tumblr.com/">&#8217;90s Are All That</a> or creating original, exclusive content for <a href="http://korranation.tumblr.com/">The Legend of Korra</a>.  Beyond those three we&#8217;re constantly testing smaller, emerging platforms&#8230; Pinterest, GetGlue, Foursquare, etc.</p>
<blockquote class="twitter-tweet"><p>Squidward has taught me that you should always follow your dreams, even if that dream is playing the clarinet and everyone wants you to stop</p>
<p> &#8211;  SpongeBob (@SpongeBob) <a href="https://twitter.com/SpongeBob/status/210069057251188736">June 5, 2012</a></p></blockquote>
<p><strong>LR: Spongebob is often at the top of the social TV charts. Why are so many people tweeting about Spongebob? What demographics?</strong></p>
<p><strong>Daley: </strong>Everyone loves SpongeBob. The show has been on for almost 13 years, and while it&#8217;s a kids&#8217; show, there are millions of teens and college kids who grew up with the show.  In any given month one third of our on-air audience for SpongeBob is over 18 years old. As a result, there is a massive following in social.  There are nearly 50 million Facebook fans between the SpongeBob and Patrick pages.</p>
<p>Specific to Twitter, it goes beyond just viewers talking about the show while they&#8217;re watching. The <a href="http://www.twitter.com/spongebob">@SpongeBob</a> Twitter has over 450,000 followers and tweets daily affirmations from the character, many of which are receiving thousands of retweets. Fans love SpongeBob&#8217;s optimistic outlook on life and @SpongeBob gives them a little bit of that optimism every day.</p>
<p><strong>LR: NickMom was recently announced, how will this new block leverage social?</strong></p>
<p><strong>Daley: </strong>NickMom is definitely being built with social incorporated from the ground up.  As you can see in the <a href="http://www.nickmom.com/">NickMom blog</a> that launched late last year, this brand is all about funny, mom-centric content. We know how powerful social is for sharing humor as well as how crucial friend-endorsements are in helping busy moms make entertainment choices. You can count on us using social to continue to define the editorial voice and provide opportunities for moms to share our content with other moms.</p>
<p><strong>LR: Legend of Korra recently premiered with 4.5 million viewers? What was the social TV strategy?</strong></p>
<p><strong>Daley:</strong> The Legend of Korra is a follow-up to Nick&#8217;s hit series, Avatar: The Last Airbender, which ended in 2008.  Avatar had a huge following of vocal, die-hard fans of all ages who have spent the last few years clamoring for more details on Korra.  Our goal was to leverage that passion to get those fans to socialize the new show with like-minded consumers leading up to the on-air premiere.  The first tactic we employed was the creation of the Korra Nation fan club, which provided fans with exclusive production artwork, animation and sneak peeks from Korra (via the <a href="http://korranation.tumblr.com/">Korra Nation Tumblr</a>):</p>
<p><a href="http://www.lostremote.com/files/2012/06/korranation.jpg"><img class="alignnone size-full wp-image-30375" src="http://www.lostremote.com/files/2012/06/korranation.jpg" alt="" width="600" height="375" /></a></p>
<p>We gamified the experience by rewarding fans for sharing that content with points they could redeem for Korra prizes (including a chance to meet the show creators at this year&#8217;s San Diego Comic-Con). The other key piece to the social puzzle was the launch of <a href="http://KorraNation.com" target="_blank">KorraNation.com</a>, a microsite that allowed users to unlock the premiere episode three weeks before the show&#8217;s April 14th premiere by reaching 100,000 new Facebook likes and shares (which they achieved in under a week). The unlocked premiere was viewed over 400k times during the 48 hours it was live.  We definitely credit these efforts with helping to drive interest in the new series ahead of launch.  The Legend of Korra premiered with 4.5 million total viewers, and is already one of Nickelodeon&#8217;s top three animated series.</p>
<p><strong>LR: How was social used for the Kids Choice Awards?</strong></p>
<p><strong>Daley: </strong>2012 was the second year we brought Nickelodeon&#8217;s Kids&#8217; Choice Awards voting to Facebook.  We created an app that lived on a tab, but also allowed us to push the entire voting experience into the news feed.  Where we really took things to the next level was with Fan Armies, which was a gamified layer to the social voting experience that pitted fans of each nominee against each other, giving them points for voting and sharing across Facebook and Twitter and stoked the competition between fan armies through a leader board showing whose fans were (collectively) the most active.</p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/why-is-spongebob-is-so-popular-on-social-nickelodeon-talks-about-social-tv-strategy_b30281#disqus_thread</comments>
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<pubDate>Fri, 08 Jun 2012 07:55:27 +0000</pubDate>
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<title>How TV can leverage Tumblr for social buzz and analysis</title>
<description><![CDATA[<p><a href="http://www.lostremote.com/files/2012/05/tumblrwrap2.jpg"><img class="alignright size-full wp-image-30023" src="http://www.lostremote.com/files/2012/05/tumblrwrap2.jpg" alt="" width="250" height="139" /></a>In September <a href="http://www.lostremote.com/2011/09/12/is-it-time-to-take-tumblr-seriously/" target="_blank">we asked</a> if it&#8217;s time for TV companies to take Tumblr seriously. The overwhelming answer from nearly a year ago was yes, and it&#8217;s even more so the case now. The platform recently reached <a href="http://engineering.tumblr.com/post/21276808338/tumblr-firehose" target="_blank">20 billion blog posts and 50 billion blogs</a>, and signed an exclusive deal <a href="http://blog.gnip.com/tumblr-api/" target="_blank">with social data company Gnip</a> to allow companies to leverage their firehose of content.</p>
<p>Tumblr&#8217;s genius founder, 25-year-old David Karp also loves TV. In <a href="http://www.inc.com/magazine/201106/the-way-i-work-david-karp-of-tumblr_pagen_2.html" target="_blank">an interview he gave Inc.</a> just a year ago he described his viewing preferences and favorite shows:</p>
<blockquote><p>I spend a lot of time with people who work at Tumblr, but I make a very poor effort to hang out with other people in my life. I&#8217;m trying to do a better job of that. But, honestly, I love quiet nights at home. My girlfriend is a spectacular chef. She usually cooks dinner for us two or three nights out of the week. And then we wind down by watching TV. We use Apple TV to watch television shows from iTunes. We both love Futurama. I recently got her into Top Gear, a car show on the BBC.</p></blockquote>
<p>We spoke with <a href="http://www.linkedin.com/in/webberrachel" target="_blank">Rachel Webber</a>, Tumblr&#8217;s Director of Partnership Development who joined the NYC-based company in November after working at Fox Television Studios.  She gave Lost Remote an extremely detailed interview and inside look on how Tumblr fits into the social TV ecosystem, networks doing a great job on Tumblr and best practices for launching and succeeding on the platform.</p>
<p><span><strong>Lost Remote: How does Tumblr partner with TV networks?</strong></span></p>
<p><strong>Rachel Webber:</strong> In all of our partnerships people in creative industries, including those in media, fashion, art, design and storytellers of all kinds, we are always focused on empowering their full expression and supporting their participation in the robust Tumblr community.</p>
<p>We work closely with TV networks (and others in the TV industry &#8211; producers, studios, writers, directors, talent) on how they can best express themselves through the theme they choose or design, the style of content they share, their approach to interacting with their fans and diving into the conversation going on in the Tumblr community. Basically, we just want to help them translate the really great things they do every day and the stories they want to tell to a form that resonates with the Tumblr audience.</p>
<p><span>For networks and shows that want to amplify what their blog is doing and bring it to a wider Tumblr audience, our new paid <a href="http://www.tumblr.com/sponsors">Tumblr Sponsors</a> program enables brands on Tumblr to highlight their great work to the entire Tumblr network.</span></p>
<p><strong>LR: What are some examples of TV network Tumblrs that have been successful?</strong></p>
<p><strong>Webber: </strong>Well, it&#8217;s not TV, but I&#8217;d be remiss if I didn&#8217;t start by talking about what Lionsgate recently created on Tumblr for The Hunger Games.  <a href="http://capitolcouture.pn/">CapitolCouture.PN</a> is immersive storytelling at its best &#8212; a fashion magazine from the Capitol of Panem, the fictional nation of The Hunger Games Trilogy.  The Lionsgate team mixed first-look imagery of the characters and fashions from the film (in photos and GIFs), real-world interviews with the costume designers and &#8220;District Style Challenges&#8221; for fans to participate.  Capitol Couture launched in the lead-up to the first film, and outperformed the studio&#8217;s wildest expectations.  The site will remain a hub of fan engagement throughout the film franchise.</p>
<p><a href="http://www.lostremote.com/files/2012/05/tumblrwrap3.jpg"><img class="alignnone size-full wp-image-30024" src="http://www.lostremote.com/files/2012/05/tumblrwrap3.jpg" alt="" width="600" height="421" /></a></p>
<p>A very different &#8212; yet also enormously successful &#8212; use of Tumblr is BBC America&#8217;s <a href="http://doctorwho.tumblr.com/">Doctor Who blog</a>. The blog uses Tumblr&#8217;s simple, yet immensely powerful, &#8220;Reblog&#8221; button to celebrate the show&#8217;s fans. The team at BBC America mines the Tumblr-verse for amazing creations from the show&#8217;s fans and honors that work by reposting it, which spreads it throughout Tumblr&#8217;s massive community and adds a seal of approval directly from the show itself. And of course they mix up the reblogging with some special original content and other fun features.</p>
<p>Both of these examples demonstrate why Tumblr is the perfect platform for both content creators and the fans. There&#8217;s so much love going both ways &#8211; the content owners fueling the fanbase with new original work and honoring the audience, and the fans playing a big role in spreading the network&#8217;s content and showcasing their love for the shows through creations and conversations of their own.</p>
<p>Others worth noting are HBO&#8217;s <a href="http://gameofthrones.tumblr.com/">Game of Thrones</a> blog which is 100% dedicated to fan art.  Anyone can submit a GOT-inspired creation and the network publishes a handful a day. A few brilliant examples of networks embracing the culture on Tumblr are the Paul Scheer-created (but network and studio backed) project for Breaking Bad &#8211; <a href="http://breakinggifs.com/bg/">Breaking GIFs</a>, Nickelodeon&#8217;s <a href="http://90sareallthat.tumblr.com/">90s Are All That</a>, <a href="http://hulu.tumblr.com/">Hulu</a> and <a href="http://tumblr.ifc.com/">IFC</a>&#8216;s blogs speaking in the community&#8217;s language, and <a href="http://mtv.tumblr.com/">MTV&#8217;s blog</a> fully embracing &#8220;Fuck Yeah&#8221; fandom.</p>
<p>I also love the <a href="http://effyeahdegrassiwriters.tumblr.com/">Degrassi writers room blog</a> which gives its fans an opportunity to interact directly with the writing staff.  And the team at Comedy Central does a really great job with their network&#8217;s <a href="http://comedycentral.tumblr.com/">official Tumblr</a> that shares new content, hosts Q&amp;As with stand-up talent and reblogs hilarious fan material from the community. Comedy Central also has some great show-specific blogs, such as The Daily Show&#8217;s <a href="http://thedailyshow.tumblr.com/">Election Center blog</a> and <a href="http://workaholics.tumblr.com/">Workaholics</a>, that allow for a deeper interaction with that content and talent.</p>
<p><strong>LR: How should TV networks be using Tumblr?</strong></p>
<p><strong>Webber:</strong> I think the beauty of Tumblr is that there&#8217;s no one right answer to that.  One of our mottos is &#8220;share anything, customize everything;&#8221; I think that speaks to the endless possibilities on the platform, especially for television networks.</p>
<p>That being said, here are some general rules to live by&#8230;</p>
<p><em>1)  This is not your typical &#8216;blog&#8217;</em><br />
The Tumblr platform is super flexible on purpose&#8230; Think about the stories you want to tell and then think about what would be the absolute coolest way to tell them &#8212; then design that world on Tumblr!  You can introduce stories of your characters, explore new narrative styles, show off the aesthetic of the world you are creating, pay homage to what inspires you, and of course, build your brand and drive awareness to your work.</p>
<p><em>2)  Be conversational</em><br />
The Tumblr platform is also super social on purpose&#8230;  In addition to being an excellent blogging platform, Tumblr is a vibrant social network. You will build up a community of engaged followers here; the best way to relate to them is to interact.  Reblog their work and add some commentary, &#8220;like &#8220;your fans&#8217; posts, respond to questions and submissions.  And most importantly develop a voice.  The community responds best to personal, peer-to-peer connections; embrace that, but do it in a way that is consistent with your unique brand and voice.</p>
<p><em>3)  Dive into the culture</em><br />
Explore what your fans are creating and how they are expressing themselves.  Check out the topics in our <a href="http://www.tumblr.com/explore">Explore section</a>, and the blogs we showcase in <a href="http://www.tumblr.com/spotlight/television">Spotlight</a>.  Also, search for anything in the &#8220;search tags&#8221; field on the right side of your Dashboard.  Remember Tumblr is a visual and design-driven medium, so look for compelling imagery to tell your story.</p>
<p><em>4)  Be smart about getting noticed</em><br />
Sharing great content is the first step to getting noticed, as inspiring or beautiful or amusing things have the best chance of getting spread across the network. Make sure to tag every post with relevant words like &#8220;television&#8221; or &#8220;funny&#8221; or your name or an actor&#8217;s name.  These tags will help you get seen by people who aren&#8217;t already following you.</p>
<p>Showcase your blog on any other online or offline spaces you can. We&#8217;ve recently  made it even easier to share every Tumblr post to Facebook and Twitter; use that to tie your Tumblr blog into those networks.  And following other blogs, and reblogging and liking posts, will send messages to the community that you&#8217;re there.</p>
<p><em>5)  Start as early as you can</em><br />
Fans love &#8220;behind the scenes&#8221; stories.  Whether it&#8217;s shots from the set, notes on a script or just an inspiring song, the more you showcase your full creative process, the more the community will respond.</p>
<p><em>6)  Make your life easier</em><br />
Use the Tumblr Queue to schedule posts so that you can prepare a bunch of content <span>beforehand. Also, download our mobile app for posting and browsing your Dashboard from wherever you are.  For curation, use our Bookmarklet (find it at our <a href="http://www.tumblr.com/goodies">Goodies</a> page) to easily excerpt content from other Websites into your Tumblr.</span></p>
<p><em>7)  Integrate Tumblr content into your other Web hubs</em><br />
One last thing I want to recommend here is to integrate your Tumblr content on your other distribution platforms. The Daily Show is a good example of a site incorporating their Tumblr content into their main web hub &#8211; see <a href="http://www.thedailyshow.com/">the Election Center section</a>. And check out <a href="http://www.beyonce.com/">Beyonce.com</a>, where her Tumblr is embedded at <a href="http://iam.beyonce.com/">iam.beyonce.com</a>. All the information you need on our API and share tools is available <a href="http://www.tumblr.com/developers">here</a>.</p>
<p><a href="http://www.lostremote.com/files/2012/05/tumblrwrap4.jpg"><img class="alignnone size-full wp-image-30026" src="http://www.lostremote.com/files/2012/05/tumblrwrap4.jpg" alt="" width="578" height="624" /></a></p>
<p><strong>LR: How is Tumblr making TV more social?</strong></p>
<p><strong>Webber: </strong>As I mentioned earlier, Tumblr is a hub of immense and intense fandom &#8211; &#8220;fuckyeah&#8221; is our battlecry.  I think that&#8217;s become of the actual product functionality &#8211; Tumblr provides an amazing set of tools to express what you care about and to connect with others that share your passions.  So I think Tumblr is definitely propelling fandom culture forward by making it so easy for fans to express their obsessions &#8212; by creating whole blogs dedicated to their favorite characters, mashing up visuals, writing fan-fic, creating role-play games and more.  And then also making fandom culture more social by allowing those fans to connect to each other, share each others&#8217; work, riff off each others&#8217; work and meet up in real life.  (As a side note, we see more than 300 Tumblr meetups organized every month, and many of them have a entertainment-focused theme.)</p>
<p>I highly recommend taking a peek into fan culture on Tumblr by searching for tag words related to any television show (type any word in the search box on the right-hand side of the Dashboard), checking out the <a href="http://www.tumblr.com/tagged/television" target="_blank">community-curated &#8220;Television&#8221; tag</a> and also by checking out the blogs we showcase in the <a href="http://www.tumblr.com/spotlight/television" target="_blank">Television Spotlight section</a>.</p>
<p><strong>LR: How will Tumblr work with TV brands in the future?</strong></p>
<p><strong>Webber: </strong>We&#8217;re really excited to continue working closely with people in the TV industry to help them find and grow their fan bases in the Tumblr community, to help them use the Tumblr platform in insanely innovative ways to showcase and to enable the community to be able to really connect with their favorite shows and talent. We have a lot of fun stuff in the works so stay tuned!!</p>
<p><span><strong>How are the social TV data companies approaching Tumblr:</strong></span></p>
<p>To understand the importance of Tumblr even further, we spoke with the backbone of the social TV industry, the leading data companies who all described that they&#8217;re definitely considering plugging into Tumblr if they&#8217;re not already listening to the unique subculture of TV engagement that has emerged on Tumblr. We asked each if they use Tumblr as a data source and if they think Tumblr is important to social TV. Here are there answers.</p>
<p><strong>Mark Ghuneim of <a href="http://trendrr.tv" target="_blank">Trendrr</a>:</strong></p>
<p><strong> </strong></p>
<blockquote><p>Yes. We have long wanted the Tumblr firehose and now that it is available and real-time it should fit nicely in the social tv landscape. It is specifically valuable because it is a creative platform at its core. Blog data  has been around a long time but it was not a natural fit with the way we view social tv. It was for longer form expressions which has huge value but in a different way than real-time expressions that are in sync with the air. Where as I like more thoughtful blog pieces for understanding engagement and annotating future plays after initial air</p></blockquote>
<p><strong>Sean Reckwerdt of <a href="http://networkedinsights.com" target="_blank">Networked Insights</a>:</strong></p>
<blockquote><p>We do include Tumblr as part of our data feed and include it because we believe in the individual value every social channel offers in the process of informing a client&#8217;s media spend. While not all the content that is published on Tumblr is appropriately tagged or easy to activate, it is however as essential to SocialTV as any of the other niche/fringe communities like the Slash Fic ones, the DevianArt ones, or even the Miso slideshares because they are channels in which fans are expressing themselves. An individual&#8217;s Tumblr feed also informs us of the other brands, shows, musicians, etc. that they&#8217;re interested and those insights help our clients better engage with those individuals. With display ads coming soon to Tumblr we&#8217;re going to see more big brand attention on tumblr now that they&#8217;ve got an easier way to reach that audience, and how that influences TV fans and what they&#8217;re producing  we&#8217;ll just have to wait and see.</p></blockquote>
<p><strong>Tom Thai of <a href="http://bluefinlabs.com" target="_blank">Bluefin Labs</a>:</strong></p>
<blockquote><p>We currently don&#8217;t use Tumblr &#8212; their API just recently became available. But of course we&#8217;re always evaluating all major social media data sources as they: (a) reach meaningful scale, and (b) make their data available via an API.</p></blockquote>
<p><strong>Sean Casey of <a href="http://socialguide.com" target="_blank">SocialGuide</a>:</strong></p>
<blockquote><p>We are continually evaluating other data sources based on a few factors: volume of comments, quality of comments, accessibility to the data, and the ability for the comments to be actionable for our clients. We&#8217;re evaluating Tumblr and other potential social tv data sources on these factors.</p></blockquote>
<p><strong>Serge Billiouw of <a href="http://statsforce.tv" target="_blank">StatsForce.TV</a>:</strong></p>
<blockquote><p>At the moment Tumblr is not included in our analysis. As measuring social TV is all about measuring Live Comments/Interactions, the best medium for this is still Twitter. Facebook is coming in as a very close second because of people posting live comments on the wall of the show, but all other blogs are more individual opinions about the shows, after they have aired. It is interesting to include them in the future, but then more as a reference to be able to link other subjects/brands to the show and create correlations between the two.</p></blockquote>
<p>NM Incite confirmed that they do look at Tumblr, but no one was available to comment.</p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
<comments>http://lostremote.com/how-tv-can-leverage-tumblr-for-social-buzz_b29980#disqus_thread</comments>
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<pubDate>Thu, 31 May 2012 10:28:36 +0000</pubDate>
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<title>Michelle Obama joins Twitter in time for iCarly cameo</title>
<description><![CDATA[<p><a href="http://www.lostremote.com/files/2012/01/Screen-shot-2012-01-15-at-5.29.42-PM.png"><img class="alignright size-medium wp-image-25154" src="http://www.lostremote.com/files/2012/01/Screen-shot-2012-01-15-at-5.29.42-PM-300x89.png" alt="" width="250" /></a>The first lady, Michelle Obama joined Twitter last week as <a href="http://twitter.com/michelleobama" target="_blank">@MichelleObama</a> with the intention of translating her influence in real life to help her husband, President @BarackObama campaign for re-election in 140-character updates. She&#8217;s already amassed more than 320,000 followers and has been very clear that her staff will be posting, except when you see &#8220;-mo&#8221; signed at the end of one of her tweets.</p>
<p>Interestingly one of her first actual tweets was about her upcoming cameo on the hit Nickelodeon show iCarly. The first lady shot a made-for-tv movie with the iCarly cast called, &#8220;iMeet the First Lady: A Very Special Visitor,&#8221; <a href="http://www.nick.com/videos/clip/icarly-imeet-the-first-lady-a-very-special-visitor-clip.html" target="_blank">premiering</a> today at 7:30/6:30 central. In her tweet she even told the world how the Obama children were big fans of the show that has over 427,00 followers on <a href="https://twitter.com/#!/icarly" target="_blank">Twitter</a>, over <a href="http://www.facebook.com/iCarly" target="_blank">12,000,000 likes</a> on Facebook</p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Natan Edelsburg</dc:creator>
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<pubDate>Mon, 16 Jan 2012 07:26:58 +0000</pubDate>
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